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Mahogany
Set-in mahogany w/rosewood fingerboard
Full, body, neck and headstock
Offset dots
24 medium-jumbo
SCALE: 25.00"
1V, 1T (coil-split), 3-way switch
2 Tesla VR Extreme humbuckers
Nickel
Black |
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It’s always cool
to see a new guitar company get its act together and introduce
guitars that aren’t based on the classics of the ’50s and ’60s, and
the Subhuman, with its slashing, fantasy-warrior lines, is about as
far removed from the vintage/retro thing as it gets. Despite its
name, the Subhuman is not about summoning the spirit of Beelzebub
with bowel-churning dropped tuning. It is, however, most definitely
aimed at rockers and metal heads who want a fast-playing and
tough-sounding guitar—if it happens to resemble a medieval battle
ax, well, that’s icing on the cake.
The Sub is well made and features a flawless black finish and
clean binding. Other than the offset fretboard dots, the
only significant decoration is the stylized Maltese cross, which is
Malden’s trademark graphic. The medium-jumbo frets are nicely
polished and evenly set and trimmed, and the neck has a slim profile
and a wide 12" radius fretboard. The cutaway might feel a little
tight for players with large hands, but the scoop is deeply beveled
on the rear side to facilitate high fingering. There’s a pronounced
volute where the neck transitions into the headstock, and to
increase string pressure on the nut and eliminate the need for
string trees, the headstock is angled at 14 degrees. To further
enhance vibrational coupling to the wood, the strings load though
metal ferrules on back of the body. The control cavity is well
shielded with nickel paint and a foil-backed cover plate, and the
wiring and soldering are tidy. The pots, pickup selector, and output
jack look a little light for the long haul, but that’s the only
concern I have with this guitar’s construction.
Sub Tones
The Subhuman plays well, and it sounds solid and tuneful everywhere
you grip. You can hear these qualities when you strum it
acoustically, and plugged in, the Subhuman proved itself anything but a
lesser species when tested though a Budda Super Drive 45 Series II,
a VHT Deliverance, and a Vox AC30. For starters, I’m very impressed by
the Tesla pickups. They’re loud and thick-sounding with a strong
bottom-end response and great midrange color. They also have plenty
of sweet sparkle without ever sounding too bright. They’re perfect
for the lightweight Subhuman, giving it the ability to deliver
incredible mass while always managing to sound very crystalline and
detailed. Not an easy feat.
Pulling on the Tone knob activates the inside coils of the pickups,
yielding extra shimmer and clarity on the neck and bridge settings,
and a deep, clucky tone in the dual-pickup position that sounds sort
of like an extremely muscular Strat. The coil-split function
definitely gives the Subhuman greatly increased utility for clean
playing, but pushing heavy amp distortion is where this guitar truly
excels. Raging though the VHT in particular, the Sub’s tight low-end
and clear, gutsy presence made for some wonderfully sick metal
tones. This guitar just begs you to hammer the snot out of it with
crushing rhythms and ripping solos, and its slick playability and
wickedly forceful sounds make you want to do so until your ears go
on strike.
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