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Alder
Bolt-on maple w/rosewood fingerboard
Dots
21 narrow and tall
25.5"
1V, 1T, 3-way switch
2 Malden alnico V single coils
Chrome
3-tone sunburst
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Malden
has been on the scene for barely two years, but in that brief span,
it has become obvious that this company is seriously committed to
raising the standard for imported guitars. With fresh yet familiar
designs, intelligently chosen features, and exceptional attention to
detail, Malden has succeeded in capturing the elusive and intangible
feel-factor that emanates from instruments built by folks who are
sincerely concerned about quality. In the past, American companies
could feel smugly secure knowing they had a lock on the handcrafted mojo, but now it’s clear that others have begun to crack the code.
Combine this level of craftsmanship and custom-shop feel with an
extremely inviting price, and you have a tough act to follow.
As the most recent addition to the Malden line, the Korean-made Mozak gives off a kitschy-cool retro vibe with its jaunty
asymmetrical body and a tasty sunburst finish that’s complemented by
a tight-grained rosewood fretboard and a 3-ply white pickguard. Its pickups are faithful recreations of familiar themes,
and its cast-bodied tuners feel solid and smooth. For authentic
twang-factor, the classic chrome-plated steel bridge is fitted with
three brass saddles. For quick and painless neck adjustments, the
trussrod is easily accessible at the headstock.
I’m especially impressed with the smoothness and depth of the body’s
sunburst lacquer finish, and the way the red hue gracefully emerges
from the black outer edges, morphing into a warm yellow toward the
center. The neck feels great, too, with its hand-rubbed feel and a
seductively contoured C-shaped cross-section. The fretwork is
top-flight—every fret is nicely crowned and tightly seated, with
consistently rounded and polished ends that further enhance the Mozak’s luxurious feel—and the perfectly slotted nut allows each
string to sit at the optimum height. No matter how closely I
scrutinized the Mozak, I simply couldn’t find any detail issues to
quibble about. Okay, maybe the three-piece basswood body doesn’t
have the most attractive figuring, but there’s nothing about this
instrument’s workmanship that even hints at its budget price tag.
And dig the extra touches like the little felt pads that are placed
between the strap buttons and body. What more could you ask for?
Some of you might be thinking, “Well, how about some really
good-sounding pickups?” If you’re used to automatically swapping out
an import’s pickups, you’re going to be pleasantly surprised when
you hear the Mozak’s alnico V magnets that are carefully wound to
vintage specs. The bridge pickup sounds authentically vintage and
appropriately twangy, with a seasoned upper-midrange and treble
complexity, and the neck pickup is rich, dark, and smooth, with a
breath of acoustic-like detail. The 3-way toggle switch selects both
pickups when set to the middle position, which produces a combined
tone that’s sweeter and airier than either of the pickups soloed,
and I found this position’s veiled jangle complemented the sound of
EL84-powered amps especially well.
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I was even more
impressed with the Mozak after playing it on several gigs. Teamed
with a ’66 Ampeg Reverberocket II, I was able to coax a convincingly
warm jazz tone from the neck pickup that blended well with the band
when comping, and sounded colorful, expressive, and dynamic for
solos. I usually play a fancy archtop guitar on these straight-ahead
jazz gigs, but the Mozak’s swanky looks and cool tones fit right in.
A drunken, late-evening request for a Hank Williams tune (along with
a $50 bill) had me quickly switching to the bridge pickup for some
twangy fills and biting faux-steel-guitar riffs. My old archtop
could never approach the Mozak’s broad range of tones, and I think
I’ll be playing this guitar on many more gigs in the future. With
its impressive craftsmanship, vibe, and value, the Mozak easily
earns an Editors’ Pick Award.
Guitar Player
A few YouTube videos:
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